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伊莎贝拉（缪丽尔·鲍梅斯特 Muriel Baumeister 饰）是身份尊贵的卢克森顿公国公主，然而，她却有着一颗想要过平民生活的心。在百般祈求之下，她的父亲终于同意她去柏林的大使馆做实习生，当然，是在隐藏了真实身份的情况下。 就这样，伊莎贝拉来到了大使馆，开始了她在这里的工作。使馆要改建花园，园林设计师卢克（雷内·施泰克 René Steinke 饰）成为了项目负责人，在朝夕相处的过程中，伊莎贝拉和卢克之间渐渐产生了感情，然而，卢克有一个孩子，而伊莎贝拉也早已经和王子费迪南德（米基·哈特 Mickey Hardt 饰）订下了婚约，这段注定无疾而终的感情能否开花结果呢？
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潘妮（瑞贝尔·威尔森 Rebel Wilson 饰）拥有聪慧过人的头脑，却遗憾心宽体胖，因此在行骗的道路上屡屡碰壁。一次偶然中，她遇见了另一个名为约瑟芬（安妮·海瑟薇 Anne Hathaway 饰）的同行，约瑟芬肤白如雪发洁如缎，就连身位同性的潘妮也忍不住多看两眼。在经历了一番死缠烂打之后，约瑟芬答应收潘妮为徒。 一次偶然中，潘妮和约瑟芬邂逅了一个名为托马斯（艾利克斯·夏普 Alex Sharp 饰）的英俊男人，这个男人正在为自己的企划寻找合伙人。两个女人决定来一场比赛，看看谁能够获得托马斯的信任，可随着计划一步一步的深入后，她们发现，托马斯并不是表面上看起来的那么呆。
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官员哈里斯（德蒙特·莫罗尼 Dermot Mulroney 饰）参与了拘留和重新安置外国国民进行审讯的任务。然而，当他的上司艾萨克斯（阿丹·坎托 Adan Canto 饰）被谋杀时，他发现自己成了杀害被拘留者阿巴蒂（保罗·伯克 Paul Burke 饰）的替罪羊。 哈里斯被一队由无情双面间谍伊隆泽领导的特工追捕着，与此同时，流氓情报官员奥尔森（梅尔·吉布森 Mel Gibson 饰）也在对哈里斯进行私下追捕并试图杀害他。哈里斯必须在躲避这些特工和追捕者的同时揭开真相，为自己洗刷冤屈。
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讲述一位意大利书店商人（男）和一位性格疯癫的戏剧演员（女）陷入爱情的过程。书店商独自在顶楼抚养双腿残疾从不出门的女儿，某天喜剧演员忽然冲进书店寻找她丢失的狗，两人因此相识，彼此进行精神抚慰。
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
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让-弗朗西斯·瑞切执导历史题材新作[巴黎皇帝](The Emperor of Paris,暂译 )正式开拍，文森特·卡索加盟出演男一号。影片围绕尤金·弗朗西斯·维多克的故事展开，作为法国家喻户晓的人物，维多克堪称一代罪犯专家。其被誉为现代犯罪之父，也是早期的私家侦探，更凭借丰富的犯罪经历任职警察部门，协力同行破获大量犯罪事件。
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世界核战争后，政府给每个人注射一种麻痹情感神经的药物，使人们封闭感情，变成行尸走肉。 约翰·普雷斯顿（克里斯蒂安·贝尔 Christian Bale 饰）是政府军事部门高级官员。他摧毁一切艺术品、工艺品，并将一切抗令不抛弃自己感情的人杀死，同事艾洛·帕特杰（肖恩·宾 Sean Bean 饰）因藏有一本违禁书籍也未曾幸免。一次行动中，约翰遇到玛丽·欧布莱恩（艾米丽·沃森 Emily Watson 饰）。她使得约翰开始断绝药物，试图体会有感情的生活究竟是一种什么样的滋味。他被那些第一次出现在他生命里的奇妙动人景象所陶醉了，也深深的为每天履行的破坏艺术的行为感到愧疚和内疚。 他的反常行为，被一直窥探其位置的新同事布兰特（泰雅·迪格斯 Taye Diggs 饰）看在眼里，于是想尽办法，试探约翰的虚实。在工作与道义之间，在危险与安逸之间，在情感与沦丧之间，约翰又会做出怎样的抉择呢？
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薇拉莉·邓泽里自导自演，皮埃尔·德隆尚共同主演电影《圣母院》。薇拉莉饰演拥有两个孩子的单身母亲莫德·克雷恩，她也是一名事业失败的建筑师。莫德出乎意料地获得了带领团队翻新巴黎圣母院广场的机会，为完成这项工作，她必须面对自己旧情难忘的两个前任。
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伊凡带新婚妻子旺达到罗马度蜜月，这是历史上最缺乏浪漫色彩的蜜月之行，严格死板的安排便是与亲人朋友见面，会见主教等。但年轻貌美的旺达痴迷于一个源于浮华表面的卡通英雄，于是临阵逃婚，开始寻找她那神往的白酋长……