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此片是《Westworld》的续集，由彼得．方达、尤．伯连纳、布莱思．丹纳等主演。内容介绍阴谋者借机械人乐园再次开幕之际，以机械人取代来参观的巨商政要，企图藉此控制全世界，不料他们的野心被两名记者予以揭穿。该片在内容上没有上集那么新奇热闹，但在剧情上增加了悬念性，高潮性亦拍得相当紧张刺激。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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变装皇后Jules遭遇了一次屈辱的反同攻击，人生和事业都被毁掉。而此后，他在同志桑拿遇到了那群攻击者中的一个——深柜Preston。此后，Jules获得了复仇的机会，服装打扮变成男人模样的他相信Preston认不出来自己，于是在搜索了“如何曝光深柜”之后，他慢慢接近对方，开始了一场危险的引诱行动，发现和反击的危险如影随形。
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89岁的二战老兵伯尼（麦克尔·肯恩 饰），与他行动不便的妻子芮妮（葛兰黛·杰克森 饰）同住在养老院里，过着规律又宁静的晚年生活。适逢诺曼底登陆70周年，伯尼打算参加纪念活动，却错过团体报名的机会。当他准备放弃时，芮妮感受到他的遗憾，便鼓励他独自前往。隔天早晨，伯尼瞒着所有人，溜出养老院前往诺曼底，展开这趟伟大的“逃亡”。这段旅程中，他开始回想起战时与战友们并肩作战的画面，这让伯尼意识到自己对于过去，仍有尚未解开的心结必须去面对……
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该剧改编自帕特里克·拉登·基夫的同名小说，一位有10个孩子的单亲妈妈，在家中遭到绑架从此人间蒸发。激进的暴力行为，让家中孩子留下永远的创伤。这究竟是冷酷的战争行为？抑或是单纯的谋杀事件？