搜索"杨" ，找到 部影视作品
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孔马成（崔振赫 饰）是一名拥有超高智商的天才医生，深受患者和领导的信赖。然而，一场意外的发生让孔马成患上了短期记忆丧失症，他总是会忘记前一天发生的事情。受病情影响，孔马成只得告别挚爱的职业舞台。 朱喜悦（宋昰昀 饰）曾是红极一时的女明星，虏获了大批粉丝们的喜爱，星途一片大好，可是，3年前一场恐怖的杀人案令朱喜悦的名声跌落谷底，之后她就一直苦苦挣扎在过气的边缘。曾经，孔马成和朱喜悦之间有这一段浪漫的往事，但也是因为凶杀案的发生导致两人失去了联系。如今，早已物是人非的两人再度相遇。
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在朝鲜王朝 19 世纪初期，所有人都固步自封，固守着旧事物，直到发生了一些不可思议的事情。男史官历来不允许进入王后宫殿，而为了留下有关王后宫殿的记录，官府史无前例地组织了一场选拔女性史官的考试。他们必须大胆直言，诚实无畏。在没有史官在场的情况下，任何人，甚至是国君，都不能私下与人交谈。这些史官不受制于任何官员，但女性史官会有这样的自主权吗？本剧集讲述了李棽和丘海昤的爱情故事，李棽是王位第二继承人，丘海昤是一位相信毛笔比刀剑更有力量的女史官。
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《劲舞青春》讲述了女主人公贝安四处打工赚钱，被别人视为爱钱如命的女孩，却没人知道她是为了赚够钱去加拿大照顾无依无靠的爸爸。翊琪，众多男性心目中的女神，能歌善舞的她希望有朝一日可以成为下一个蔡依林。盼盼，个性单纯，爱跳舞的她希望有朝一日可以带着属于自己的舞群去世界各地巡回演出。三个来自不同生活背景的女孩，为了不同的目标而加入了舞蹈团体，成为PaPa Girls的成员之一。当她们在演出时碰到成熟稳重但内心对爱情却还萌萌的大叔级蒋至中和林大树， 原本平静的生活从此失序。置身于纷繁的都市，这群个性迥异的女孩们将舞出怎样的鲜亮青春季？
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改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗…… 本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。 这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。 1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。
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Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.