搜索"Anna" ，找到 部影视作品
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顾名思义将分析吐槽多年来好莱坞影视里的各种套路，比如坏人的设定(总有迷惑台词)、床戏怎么拍(镜头切到门外风雨)、表现人物吃惊必有喷饮料、威廉尖叫、遇事不决蒙太奇……罗伯·劳主持，安德鲁·加菲尔德、安迪·麦克道威尔、弗洛伦丝·皮尤、马克·斯特朗、理查德·E·格兰特、桑吉夫·巴哈斯卡、卢卡斯兄弟等人担任嘉宾，cue到的包括《泰坦尼克号》《阿甘正传》《独立日》《沉默的羔羊》等不少经典名片。
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12-year old dreamer Vlad likes telling fantastic stories about his courage to his summer camp friends, although he is a bit of a coward himself. But one day Vlad finds himself in a real adventure as he accidentally gets caught in a conflict between two alien forces. Shapeshifting Trashmen, descendants of an ancient alien civilization, try to disable electricity on the whole planet by deactivating the defensive shield that protects the Earth from an approaching solar wave. In this way they challenge the all-powerful and mysterious Energy that enabled humanity's technological progress and which we depend on more than ever. In this battle Vlad is helped by a transformer box called the Bobot, which holds the key to saving the world. While telling stories about fictional courage is easy, Vlad will find out that overcoming his fear in the real world is quite a challenge. Mankind's future lies solely in his hands.
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五岁的泽泽（João Guilherme de Ávila 饰）是一个和其他小孩不太一样的男孩，他似乎比同龄人要成熟的多，在圣诞节那天出生的他在刚开始总是被亲戚朋友们视为上帝的恩赐，但他出生在一个贫穷而且多灾多难的家庭之中，在父亲事业，妈妈和姐姐不得不进工厂打工后，泽泽在家里的待遇一落千丈，常常遭到莫名的打骂的责难。 虽然泽泽的日子很难过，但他依然用自己的热情和善良温暖着周围的每一个人。泽泽喜欢将自己的不幸遭遇和幻想中的朋友们倾诉，其中，有一颗甜橙树被他视为最亲密的好友。泽泽的生命中出现了一个阿葡（何塞·阿布雷乌 José de Abreu 饰）的男人，渐渐的，这个男人取代了甜橙树，成为了泽泽在现实生活里唯一的依靠。
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18世纪，一群被逐出境的女人乘坐一艘从西班牙前往美国的船。在未分级的版本里，有着女同志的投射
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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本片讲述的是在世界上最危险的大陆上,埋藏着最大的宝藏......
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拉杰（赫里尼克·罗斯汉 Hrithik Roshan 饰）和蒂娜（卡琳娜·卡普Kareena Kapoor 饰）是关系十分要好的玩伴，拉杰要移民到英国了，蒂娜答应他即使两人身处异地，但依然要通过电子邮件来保持联系。可是，当拉杰给蒂娜发电子邮件时，蒂娜却总是爱理不理，蒂娜的好友波加（拉妮·玛克赫吉 Rani Mukherjee 饰）实在看不下去，于是顶替了蒂娜的身份给拉杰回邮件。 一晃眼十五年过去，在这十五年里，拉杰一直不知道，和他保持通信聊得火热的，其实是波加。某日，拉杰决定回印度度假，蒂娜和波加的小小谎言眼看着就要被拆穿了。
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2030是个智能的时代，每个人身上都被植入了智能芯片。男主角克日什托夫曾是天才级教授工程师最亲来的助理，却在被植入智能芯片后失去了部分记忆，以新的身份“亚当”在一幢办公室里担任清洁工。有一天，他发现一个陈旧的电视机，这就是所谓的“魔术盒”，这将他与一位叫戈里娅的女人联系起来……
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单身母亲阿曼达花在自己演唱生涯上的时间比花在自己10岁儿子身上的时间还多。如今，这些年来在低级酒吧里卖唱的日子似乎都得到了回报：阿曼达成了圣诞节电视的特邀歌手。于是她雇了一辆大卡车送儿子上山去他父亲伯纳德那里过圣诞节。但雪崩阻断了去路，卡车司机马里斯带着夜舒瓦去了当地的酒馆。看到电视上阿曼达的表演，喝得半醉的马里斯认为阿曼达一定很有钱，就暗生歹意，绑架了夜舒瓦。他们重新上路，但因为醉酒，马里斯撞车了，醒来后，夜舒瓦已经逃走了。茫茫雪海中，夜舒瓦慌不择路，遇到一匹狼，但这匹狼却将掉入冰河的夜舒瓦拉了上来，还用自己的皮毛给他以温暖。此时，阿曼达和伯纳德都听说了夜舒瓦失踪的消息，一起出发寻找他们的孩子，也寻找属于他们一家的圣诞节。