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登陆日:猛犬连
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  第二次世界大战中,根据英国盟军埃森·豪威尔将军策划的“霸王”行动,为所有同盟军争取诺曼底登陆时间成为关键。1944年6月6日,诺曼底登陆拉开序幕。为了夺取海滩制高点霍克角山脊,压制德国布防在犹他和奥马哈海岸的重型火炮及机枪火力点,并销毁敌军的主力大炮,美军陆军中校詹姆斯·厄尔·鲁德尔率领第二游骑兵部队“猛犬连”成为这项任务的前锋部队。有人说这是自杀,但对猛犬连来说,这是任务的另一种说法。当一群美国精锐士兵奉命摧毁一系列德国机枪阵地时,他们发现自己在盲目地冒险进入敌方领土。他们寡不敌众,装备落后,必须冒着生命危险穿越危险地带,而且永远不知道敌人可能藏身何处……
创造奇迹的女人
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A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experimental war drama. When a pretty female refugee comes to town seeking help, she awakens the sexual desires of all the men, but the only one who helps her is a sympathetic sculptor. When she is allegedly killed, the man sends the artists who refused to aid the woman death masks of the victim. All later conclude that the woman was not mortal.
漫长的告别1971
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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
我的超级智能狗
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ISABEL SULLIVAN (15) has just moved to a small town to live with her uncle PAUL who is the town's mayor. Isabel has recently lost her parents in a car accident. Feeling very alone and friendless, Isabel befriends a stray robot dog named ARCHIE. Though he looks like a normal dog, he is anything but. He can talk. He can run at blinding speed. He's got super strength and x-ray vision. Isabel and Archie become fast friends. She teaches him how to be a normal dog while he helps her to fit in with the cool kid clique. Most of all, Isabel can confide in Archie about what happened to her parents. Archie can relate. He's never had a family - until now. As the summer progresses, things start to get tricky. Paul is up for re-election and finds himself running against VERONICA TAYLOR who happens to be in cahoots with BURGERTROPOLIS - a national fast food franchise that has been trying to buy Paul out for years. What's worse, an evil man named HUGH JABLONSKI shows up in town claiming to be ...
开麦拉狂想曲
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  A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.  Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
天生爱情狂
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  富家子张泰林(张智霖 饰)在偶然之下结识了俏护士邝美宝(刘心悠 饰),两人堕入爱河,但其后泰林却逐渐发现美宝的另一面:多疑、善妒、控制欲强兼有轻微的暴力倾向。泰林难以忍受提出分手,但依然受到美宝的跟踪。美宝在医院偶遇泰林前女友慧欣(苟芸慧 饰),得知泰林不为人知的秘密,而此时泰林与母亲介绍相亲的女孩晴晴(叶熙祺 饰)的关系越加亲密。一次巧遇,美宝与泰林公开对质他的秘密,原来这场疯狂爱情才刚刚开始……
樟树味,茉莉香
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伊朗资深导演巴曼·法玛纳拉被禁拍片二十年后的第一部作品  “介于伯格曼与费里尼之间”  “来自伊朗的伍迪艾伦”  获得:2001年 柏林电影节最佳亚洲电影奖  伊斯坦布尔电影节影评人奖  蒙特利尔电影节评委会奖  导演Bahman Farmanara在79年前是影坛主要人物,因为改革浪潮的拖累,不能涉足此范围,  廿年后方可拍成此片,可谓呕心沥血。本片关于存在和死的深深鼓舞的沉思。  影片自传式的讲述导演巴曼陷入死亡的困境中故事。略带政治色彩,  带出现今伊朗的不同景况。同时夹杂个人对死亡将至之恐惧。
圣弗朗西斯之花
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In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People's Saint humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis's time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
加西亚非凡的旅行
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茜莱丝特·加西亚是一个寡妇,在哈瓦那过着平静的生活,每天在当地天文馆当导ddd。有一天,当几个古巴人神秘地消失在稀薄的空气中时,古巴政府宣布,外星人一直伪装成人类生活在古巴,而这些外国客人现在正通过邀请人类访问他们遥远的世界来回报他们的好感。这一切对茜莱丝特·加西亚来说都很有意义——她一直认为她的俄罗斯邻居波琳很古怪,但现在才知道她真的来自另一个星球。茜莱丝特·加西亚发现波琳给她留下了一份个人邀请,邀请她加入政府的筹备计划,前往遥远的未知之旅。
明天整个世界
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路易莎,20岁,来自优渥家庭,法律专业一年级学生。有感于德国愈发右倾的政治环境和民粹政党的崛起,她与几个朋友联合起来共同反对新右翼活动。不久后,她结识了阿尔法和莱纳,这两人认为暴力是抗争的合理手段。事情随后愈演愈烈,路易莎面临着艰难的抉择...