根据真实故事改编：一对著名夫妇双重谋杀案震惊了整个社区，当地警方也在努力寻找凶手。当黑暗笼罩全城时，新来的牧师艾伯特必须帮助他的教会和家庭克服余震，提供稳定、疗愈和希望，而他的妻子艾美必须通过她的信仰来克服自己的恐惧。

Looking for a quiet escape a couple rent an isolated lakeside cabin on the anniversary of their daughter's death. They soon find themselves wrapped in a terrifying mystery when a strange woman appears and their every move seems to be monitored by a mysterious local sheriff.

一个男人一心求死，而另一个男人却悟得了向死而生

　　故事讲述了大金刚，一只在军警的围捕下从帝国大厦摔下并且重伤的大猩猩。十年后，大金刚在乔治亚州亚特兰大的一所大学医疗研究中心获得了复活的机会。研究人员开发了人工心脏，并准备为大金刚进行心脏移植手术。然而，他们面临着一个挑战，需要找到与大金刚相同种类的血液。　　在众人束手无策时，米奇意外地捕获了另一只母猿并将其卖给了政府，以便为大金刚的手术提供必要的血液。艾咪，一位手术专家，负责执行这次手术。然而，手术后的大金刚与母猿逃回了它们的原生地，摆脱了人类的控制。军队随即包围了这两只大猩猩，大金刚在炮击中再次受到严重伤害。同时，母猿也在这次攻击中被捕获。为了营救母猿，大金刚将再次对人类展开肆虐。

Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14

故事讲述了一位老练的民主党战略家(卡瑞尔饰)在威斯康星州的一座右翼小镇，帮助一位退休的老将竞选市长。

　　特吕弗的第一部彩色片，也是其作品中最富社會及政治意識的一部。在未來世界裡，書籍一概被禁止，讀書便是犯罪，所有書籍都要交出焚毀。消防員的任務不是滅火救人，而是焚書和捕捉讀書人。於是有一些愛書者，把書背熟，希望日後可以流傳，這些人稱為「書人」。男主角本是一個忠心的消防員，焚書是他的職責。有次認識了一個女孩，受到她的影響，漸漸改變了人生觀，發現了書本中原來充滿了靈性的世界。經過這種溫馨親切的心靈生活，使她不能再忍受冷酷無情的機械社會。最後，他偷閱書本的背叛行為被妻子告發，他與情人設法逃往另一個符合他們理想的美麗世界，在那裡有書籍的存在，重複人類真正的生活。　　改編自美國作家雷·布烈伯里的科幻小說。（電影雙周刊）」

Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

埃文·彼得斯出演讲述澳洲女歌手海伦·瑞迪的传记片[我是女人](I Am Woman，暂译)。导演Unjoo Moon，影片聚焦上世纪七十年代澳洲知名女歌手海伦·瑞迪，片名出自瑞迪演唱的同名歌曲，该歌曲曾被选为当时女权运动的主题曲。蒂尔达·格哈姆-哈维饰瑞迪，埃文·彼得斯饰瑞迪的丈夫杰夫·沃尔德，也是她的经纪人。影片将在澳大利亚开机。

　　《忍无可忍》以女性应勇敢抗争为主题，片中有不少暴力镜头。　　六年前，在餐馆打工的Slim（詹妮弗·洛佩兹 Jennifer Lopez 饰）被客人纠缠，幸得Mitch（比利·坎尔贝 Bill Campbell 饰）挺身而出，很快两人坠入爱河并结了婚。6年过去了，他们有了女儿Gracie，一家人过着平静富足的生活。但偶然，Slim发现Mitch和其他女人有染而发生了争吵被Mitch打伤，从此恶梦般的生活开始了。Mitch有严重暴力倾向，他的变本加厉彻底毁灭了Slim原本打算忍辱偷生的念头，不堪忍受痛苦的她带着女儿逃离了这个家。她们辗转于西亚图、旧金山等多个城市，却仍无法摆脱Slim幽灵一般的纠缠。Slim终于被逼到崩溃的边缘，她决定用最极端的方法来结束自己和女儿的恶梦——杀死Mitch......