After attempting to set a mailbox on fire, Pimpette, 14, and her elder sister, Joséphine, spend their summer holidays shuttling between their secretly pregnant mom and bachelor father. But when Joséphine gets involved with the wrong crowd, little Pimpette turns out to be more responsible than the grown-ups who spend their time educating her.

　　过气演员诺玛（葛洛丽亚·斯旺森 Gloria Swanson 饰）已经将近50岁，曾经的风华绝代正在她居住的荒废豪宅里慢慢凋谢，身边只有好友马克思（埃里克·施特罗海姆Erich von Stroheim）伺奉。她没放弃重燃光辉的梦想，《莎乐美》的剧本正待编写，而逃避债务逃至此地的没落编剧乔（威廉·霍尔登 William Holden饰），正是这项事业的最佳候选。诺玛收留他住下，给他提供舒适的环境写作，并慢慢的倾心于他。但是，乔并不能接受这个青春已逝的妇人。他拒绝了她，并转过身和另一个美丽的女子谋划新的剧本，他们相爱，打得火热。　　诺玛得知了乔的“背叛”，她卑微地哀求他，却动摇不了他渐行渐远的心，诺玛终于举起枪对准正要离开的乔。

农夫Ralph Gower耕田时发现一具带有皮毛的尸体，他认为这是传说中魔鬼的躯体，并把这事告诉了从伦敦来的大法官，大法官认为这只是无稽之谈。当天，Gower主人外甥的女友晚上受到惊吓中了邪，事情使村民们笼罩在恐惧之下，真的是传说中的魔鬼复活了吗？最可怕的是，女孩Angel Blake扮演起原始巫术的巫师，带领青年们走向一条歧路——对魔鬼顶礼膜拜。后果是，村里更多的人被杀。事情完全向着一个疯狂的方向发展……

和丈夫离婚后，朱丽叶（希拉里·斯万克 Hilary Swank 饰）的生活走入了低谷，为了重振士气，她决定搬家。新的环境，新的邻居，友好又善良的房东麦克斯（杰弗里·迪恩·摩根 Jeffrey Dean Morgan 饰），这一切让朱丽叶总算是解开了心中长久以来的郁结。　　随着时间的推移，一些奇怪的事情开始在朱丽叶的周围发生，预感告诉朱丽叶，有一个充满了邪恶气息的陌生人如影随形般地监视着自己的一举一动。为了找到幕后黑手，朱丽叶在房间里设置了录影机，真相让朱丽叶汗毛倒竖，原来，那个神出鬼没的不速之客竟然正是房东麦克斯。更糟糕的是，当朱丽叶拼尽全力企图接近真相之时，她也正在一步一步的走入麦克斯为她设下的圈套之中。

　　数千年来，来自东方的忍者刺客只是被当作一个传说，然而柏林的法院调查员米卡（娜奥米·哈里斯 Naomie Harris 饰）在调查一系列政治暗杀案时却把目标锁定在这个传说中古老而又成熟暗杀组织。通过秘密调查，米卡得知一个叫奥祖奴的暗杀集团，而且在一盘监控录像里，米卡看到一张年轻的东方面孔，这个人叫雷藏（Rain 饰）。雪藏年幼时即被奥祖奴的暗杀集团收养，并且把他训练为一个出色的忍者刺客。然而善良的雪藏并未在兽化的训练中泯灭良知，最终因厌倦杀戮而逃离集团，并且隐居于柏林。此时，米卡已成为暗杀集团的追杀对象，在危急关头，雷藏及时出现救下米卡。雪藏希望得到米卡的帮助，从而彻底摧毁奥祖奴……　　本片由曾执导《V字仇杀队》的导演詹姆斯·麦克提格（James McTeigue）担当导演，亚洲人气小天王Rain主演，这是他在打入好莱坞之后的第二部作品。

　　年轻的母亲（Michelle Williams 饰）和拆弹专家的丈夫、4岁的儿子（Sidney Johnston 饰）幸福生活在一起，但一场灾难摧毁了这个小家庭。父亲在和儿子现场观看阿森纳足球的比赛时，球场遭到恐怖袭击，发生剧烈爆炸，而年轻的母亲目睹了这一切。　　和她有过一夜之情报社记者加斯帕•布莱克（Ewan McGregor 饰）潜心寻找当天的线索，终于在录像中发现了爆炸的制造者，同时也得知这起事件早已为政府预知。年轻母亲按加斯帕提供的资料找到恐怖分子的遗孀和儿子，她在男孩身上得到了心灵的慰籍。　　真相总然残酷，而生活仍在继续。是继续活在回忆中，还是勇敢面对未来……

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

一架飞机，载着青春女孩麦肯兹（艾拉·珀内尔 Ella Purnell 饰）从西雅图来到了阿拉斯加。她的母亲因为个人问题，而将女孩送到了自己的弟弟家。这位陌生的舅舅（布莱恩·格拉格提 Brian Geraghty 饰）温和可亲，小心翼翼地打消麦肯兹的陌生感和怯懦之心，尽最大努力拉近彼此的距离，但在这一过程中他也越过了不该越过的底线。某次远足途中，压抑着无限情感的麦肯兹决定从舅舅手中逃离。她试图返回西雅图，一路辗转，途中邂逅了饱经风霜的背包客瑞恩•巴特利特（布鲁斯·格林伍德 Bruce Greenwood 饰）。　　萍水相逢，忘年的孤独之旅，有些心情悄悄改变，有些人而注定离开……

Brilliant playwright, Lisa, no longer writes. She lives in Switzerland with her family but her heart has stayed in Berlin, beating to the rhythm of her brother's heart. The ties between the twins have grown stronger since Sven was diagnosed with an aggressive type of leukemia. He's a famous theater actor and Lisa refuses to accept his fate, moving heaven and earth to get him back on stage. She gives her all for her soul mate, neglecting everything else, even risking her marriage. Her relationship with her husband starts to fall apart, but Lisa only has eyes for her brother, her mirror, who connects her back with her deepest aspirations and rekindles her desire to create, to feel alive...

　　在曾经的青葱岁月中，罗米（米拉·索维诺 Mira Sorvino 饰）和米歇尔（莉莎·库卓 Lisa Kudrow 饰）是校园里靓丽的风景线，作风张扬又别具一格的两人在吸引众人眼球的同时也遭到了不少非议。如今，早已经走入社会的两人依旧维持着当初的友谊，只是，她们离曾经的梦想和梦想中的生活却很远很远。　　即将举办的高中同学会犹如一道闪电照亮了两人平庸的生活，在虚荣心的驱使下，她们决定乔装打扮一番，企图再度找回做“女王”的感觉。不幸的是，在同学会上，曾经的死对头希瑟（詹尼安·吉劳法罗 Janeane Garofalo 饰）毫不留情的拆穿了罗米和米歇尔苦心营造的假象，就在两人窘迫不已之时，一度被嘲笑为“书呆子”的男孩桑迪（艾伦·卡明 Alan Cumming 饰）变身百万富翁出现在了她们的面前。