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机战兵团
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公元2025年人类经过一次浩劫后,机战兵团已控制地球,全球经此大战后几近灭亡,但残存的部队依旧火力交战毫无停止的迹象,经年累月的战事已使这个无政府状况下的地球更加无宁日人类的未来、希望,直到2039年的一日…
天堂唱片店
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The crime comedy film introduces us to Cooper, the owner of a record store called Paradise Records. Cooper works with his friends to make his store a haven for music lovers. However, his world begins to crumble when the threat of foreclosure looms over his beloved record store, and his friends face unemployment. To make matters worse, he comes into conflict with greedy businessmen and is held hostage by a couple of hapless gunmen. Caught in the crosshairs of unforeseen adversity, Cooper’s priorities swiftly shift from salvaging his business to safeguarding the lives of those he holds dear. Amid the chaos and uncertainty, Cooper discovers the true extent of loyalty and camaraderie as his friends rally around him.
终归为尘
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  在被诊断出患有绝症后,克莱尔决定进行最后一次旅行,前往瑞士。在那里,她可以在一家协助自杀协会的帮助下决定如何以及何时结束自己的生命。陪伴她超过四十年的查洛决定与她一同踏上这段单程之旅。与此同时,摩根娜在父母之间以及他们即将离开的所有事物之间成为了一个不情愿的调解人,同时也在努力寻找自己在这个故事中的位置。
给我钱第三季
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  《show me the money》>是自2000~2004年< Hiphop the vibe >之后,时隔十多年Mnet展示的Hiphop节目。在rap版因<我是歌手>受到关注。制作组方面表示“他不是单纯最强rap者们的比赛,选拔出的新人与rap者们每周一起展现在舞台上","不仅听音乐很有意思,而且看的也很有意思"。
Take One:终极一曲
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  知名音乐人拿出看家本领,全力演绎他们自选的曲目,呈现最精彩的现场表演— 而且他们只有一次机会。
哦,奥托!
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  26 岁的奥托自以为人生尽在掌握。当初恋男友鲍里斯突然分手,挚友伦特又离开了他们心爱的布鲁塞尔城,他陷入前所未有的迷茫。于是他用露水情缘填补内心空洞,开始在这座活力四射的布鲁塞尔酷儿圈寻找自我定位。揣着网络虚拟人格的他,一头扎进充斥着午夜狂欢、同志酒吧与身份探索的奇幻世界。
最后一个男孩
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在世界的尽头,一个小男孩的垂死母亲送他去寻找一个地方,满足愿望。《最后的男孩》是一部科幻剧,灵感来自13世纪苏菲派神秘主义诗人鲁米的诗歌。
造物的奇迹
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.