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A night of unimaginable terror awaits twelve-year-old, Bobby, and his best friend, Kevin, when they are abducted on their way home from school. Managing to escape his confines, Bobby navigates the dark halls, praying his presence goes unnoticed as he avoids his captor at every turn. Even worse is the arrival of another deranged stranger, whose mysterious arrangement with the kidnapper may spell certain doom for Kevin. With no means of calling for help and miles of dark country in every direction, Bobby approaches a difficult crossroad take his chances in the fields, or find a means to free his friend. Unable to leave Kevin behind, Bobby embarks on a rescue mission, determined to get them both out alive… or die trying.
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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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Audrey Ames是一位有进取心的记者，试图从伊利诺斯州实验农场偶然发现的巨型蝗虫那里得到独家新闻。她努力拯救芝加哥，尽管军队掩盖了一切。
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一天晚上，一群工人发现，工厂高层和管理人员在偷偷地变卖自己工厂的机器和原材料，他们迅速意识到这是大规模裁员的第一个信号。他们中的大多数人在单独谈判中拒绝合作，并开始占领工厂。管理层出乎他们意料突然消失，只留给他们一个半空的工厂。随着周围世界和生活的崩塌，新的愿望开始出现。
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间谍加布利尔（约翰•特拉沃塔 John Travolta）在多年特工生涯中，获知政府多年非法收敛了一笔公款。而加布利尔若想实现自己心中的梦想，钱是最关键的因素。正因如此，机智狡猾的加布利尔决定向这笔赃款下手。 要想计划能顺利进行，加布利尔需要一名顶尖的电脑黑客。斯坦利（休•杰克曼 Hugh Jackman）正是地球上最顶级的黑客之一，多年前他就把FBI引以为豪的安全系统搞得天翻地覆，亦因此的引来牢狱之灾，妻子带着女儿远走他乡。出狱后一直被禁止使用电脑和其他电子产品。 加布利尔派他的女搭档金吉尔（哈莉•贝瑞 Halle Berry）游说斯坦利出山，承诺成功后帮斯坦利取回女儿的抚养权并安排其远走高飞享受新生活。经不住诱惑，斯坦利再度出山。然而，事情并没有像预想中顺利……
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Three best friends band together to defend their valuable mining company from monstrous aliens looking to plunder and exterminate.
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Mahesh, a photographer, gets beaten up by a stranger when he tries to solve an issue in his village. He sets out to take revenge on the stranger as he feels insulted after the incident.
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13世纪，成吉思汗之孙拔都汗率领数千勇士欲征服欧洲大片领土。正当无敌的蒙古鞑靼大军一路横扫之时，却遇到了梁赞公国一位名叫叶夫帕季·科洛夫拉特的工长，他带领17位勇士拼死抵抗外敌对古罗斯的入侵和统治。 本片故事源自于真实历史事件，号称俄罗斯版的“斯巴达300勇士”。
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提米，机智的男孩，他阅读的题材将救他一命。 安迪，他的命还操纵在于是否能看得懂三千年前的古文；霍斯福对于个人能力过于自负，终将自食恶果；普利斯顿及克罗拉，他们的幸福婚姻将因普利斯顿毁了十年前答允的誓言而将告结束；这部电影融合紧张与恐怖，是真是幻似是而非的感觉，随之而来将扭曲你的意识并逆入一个新的境界 。
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美国中央情报局的特种兵炸弹专家雷（西尔维斯特•史泰龙 Sylvester Stallone 饰）因为过失引咎辞职，辞职后的他靠当职业杀手为生。这天他接到了神秘女子美（莎朗•斯通 Sharon Stone 饰）的生意，美要他杀死当地的黑社会头子。其实美就是那个黑社会头子的情妇，因他早前曾杀害了美的父母，所以美不惜一切要报父母之仇。美甚至以身体作为引诱，雷接下了这单生意，两人也暗暗互生情愫。 雷在准备行动中，发现了黑社会头子的贴身保镖就是自己当年在特种兵部队里的死对头立特，旧恨新仇交织在一起，于是一场生死大战在两个前特种兵之间展开了！