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Andy is a writer for newspaper classifieds who has been bouncing from relationship-to-relationship since sixth grade. Throughout the film, he loses custody of his dog when his girlfriend, Cheryl, breaks up with him for another man. Andy then meets Lorna, a children's TV show host, but she is too obsessed with her own dog to commit to a relationship with Andy. She's also still smiting because her boyfriend Trevor, left her for Andy's ex, Cheryl. Andy also has a fling with another woman, Keiran. Meanwhile, Cheryl takes Andy's dog to a psychiatrist, who tells her that her promiscuity is traumatizing the dog.
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原本善良的况且在经历事业及爱情的人生低谷时,通过梦境分别经历巨大的权利、厚重的金钱、梦中的美色以及遇见捷径获得利益的王二及李楠,众人经历人生大起大落,最后坏人得到应有的惩罚,况且醒悟到一切物质源于内心贪欲的渴望,一夜暴富的消极人生态度,是将罪恶推上悬崖边的恶魔,总会把人推到最谷底,幸运的人能幡然醒悟,弥补过失,不幸的人将用一生的苦难来偿还之前的贪念。其实人生最根本的幸福,是面对当下生活的从容不迫,是面对爱情的顺其自然,是面对梦想的脚踏实地。通过本片的叙述方式,可以真的让80、90后的年轻观众理解到人生的真谛,获取正确的价值观,从而做一名当下有着正能量的年轻人,为社会做出一份贡献。
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Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
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第四届霸王花如期毕业成队,适逢一群悍匪冲入医院抢夺同伙,霸王花迅速投入战斗,可惜寸功未建,令上峰胡警司颇为难堪,警界推出的“金装霸王花”Madam杨(杨丽菁 饰)依赖一身硬功夫和高科技装备,表现颇为抢眼,致霸王花队伍有解散之虞。霸王花成员心灰意懒纷纷离去,Madam李(李赛凤 饰)遂展开了寻访前任霸王花重新入队解决危机之旅,最后只得全心照料儿子的Amy(吴君如 饰)和刚由精神病院出院的May(惠英红 饰)加入,于是新老霸王花在阿南(楼南光 饰)指导下开始了磕磕绊绊的恢复性训练。与此同时,抢人未果的悍匪们冲入学校,挟持警务处长之子要求释放同伙,霸王花们再次全力出击……
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奈德(罗伯特·德尼罗 Robert De Niro 饰)和吉姆(西恩·潘 Sean Penn 饰)是两名逃犯,在逃亡的路途中,他们来到了一个地处偏远的小镇。阴差阳错之下,奈德和吉姆成为了牧师,而很快他们便发现,在这个小镇上,牧师享有着极高的地位和声誉。 就这样,奈德和吉姆这两个毫无信仰,对神学一无所知的混混们开始了他们的牧师生活,在这里,奈德结识了名叫莫利(黛咪·摩尔 Demi Moore 饰)的姑娘,莫利的悲惨身世让奈德很受触动,随着时间的推移,两人之间产生了真挚的感情,而吉姆亦在小镇中重新体会到了友情的美妙滋味。不幸的是,正当奈德和吉姆沉浸在小镇平静的生活中之时,一直追捕两人的监狱长来到了小镇。
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无人不知的美国大亨霍华德·休斯在晚年过起了隐居生活,在人们的心中愈加神秘,然而有关他的任何一点新闻都会牵动美国人的神经。 这次引起轰动的是一个小作家艾尔文(理查·基尔),他声称得到授权为休斯写回忆录。新闻每天追踪着关于休斯的各种消息,休斯的传记也如约出版。艾尔文因此一夜致富,闻名全美。就在这一切进行的如火如荼时,艾尔文和他的亲友却感到惴惴不安,因为一切都是假的。他们根本没见过休斯,更没有什么授权,他们只是为了一个谎又扯一个谎,最终织成了弥天大谎。或许更让艾尔文悲哀的是,他已经难分生活的真实与虚假,他编造着别人的生活,也让自己走入了谎言的陷阱。
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文森特(伊万·阿达勒 Yvan Attal 饰),乔治(阿兰·夏巴 Alain Chabat 饰)和弗莱德(Alain Cohen 饰)是三个四十岁的男人。常说四十不惑,但真的到了四十岁,他们才发现,生命中让人想不明白的问题只会越来越多。在孩子的教育问题上,文森特和妻子常常发生口角,这给他们的婚姻蒙上了阴影。乔治有一个奉行女权主义的妻子,他的悲惨生活可想而知。当生命行进过半时,这两个男人才开始问自己,这样的生活真的是他们想要的吗? 在这两个不幸福的朋友眼里,弗莱德是他们羡慕的对象,因为他没有家庭没有孩子,成日过着风一般自由的生活。但两人有所不知的是,即使是看上去洒脱又不羁的弗莱德,也有着自己的烦恼。

