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女军官与魔鬼
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  奥麦莉是一名高级海军军官,同时也是一名带着两个孩子的单身母亲,她和高级将领同时也是战斗英雄的尼尔森建立了恋爱关系,但不久她发现尼尔森已经结婚了,并很快断绝了他们之间的关系,就在奥麦莉试图重新开始自己生活时,一天夜晚,她被一个持枪入侵者从睡梦中惊醒,经过搏斗,她开枪打死了那个人。  法庭判定她是误杀,但罪犯却是尼尔森,军方怕丑闻泄露影响不好,所以准以谋杀罪名成立判奥麦莉入狱。她的命令现在完全在沃克船长的手中,被指派给她的辩护律师将通过军事法庭程序为她辩护使她重获自由。
中间的房子
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A beautiful documentary telling the real story of a homeowner living with a haunting. Bridging the paranormal, real science and the human experience this documentary shows a detailed look at what could be the most haunted house in America.
另一个美丽妻子
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Family court judge Clémence lives with Gabriel, who she is very much in love with. However, she is jealous and suspects him of cheating on her. One day, she decides to put his faithfulness to the test during a trip to the Reunion.
绑架大明星
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  偶像歌手高奕辉(陈晓东 饰)唱作俱佳,才貌双全,前景灿烂,星途一片光明。就在他人生最得意的时刻,一位名叫高小婵(许雅涵 饰)的十四岁少女突然出现在了他的生命之中。高小婵坚称自己饰高奕辉的女儿,可是,高奕辉对面前这个陌生少女几乎一无所知。  就这样,高小婵黏上了高奕辉,高奕辉不仅生活受到了打扰,事业也因为这个女孩的存在而跌落谷底。有关他有私生女的传闻四处涌动,甚至有人开始捏造他和高小婵之间的不伦之恋。经纪人离开了高奕辉,他只能凭借自己的调查和智慧来还自己一个清白,在调查的过程中,他意外发现了一个惊人的秘密。
奥匈情史(下)
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巴罗尼斯夫人出落得亭亭玉立的女儿麦瑞闯进鲁道夫王子的生活。在与麦瑞私奔的落脚行宫梅耶林,鲁道夫和麦瑞殉情自杀。鲁道夫王子所预言并一直设法避免的大战在1914年爆发。到1918年战争结束时,奥匈帝国的地图从此消失。  精彩视点:  奥匈帝国的历史和茜茜公主的风流艳史,不止一次地被电影人搬上大银幕,而茜茜公主的后人鲁道夫王子的传奇故事则鲜为人知。2006年出品的大型历史题材影片《王子传奇》,以厚重的历史文化、真实的人物故事、恢弘华丽的画面,讲述了鲁道夫王子纵情声色失意于政治的悲凉人生,再显奥匈帝国的没落。  导演罗伯特·多恩海姆的作品大多有着厚重的历史文化背景,《西部风云》、《安妮日记》、《斯巴达克斯》等作品,无一不是以客观的历史镜头关注历史时代下的人物命运;而对于历史的理解和恢弘场面的掌控,则尽显罗伯特·多恩海姆导演的艺术功底。
疯狂边缘
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  影片讲述安妮和她的丈夫西蒙与弟弟戈罗根之间的故事,西蒙在修女院选安妮为妻子,安妮想过一种幸福美好的生活,但事后发现很难和西蒙相处,戈罗根的出现使她有了好感。安妮和戈罗根彼此发现对方才是自己的最爱,但碍于亲情关系,他们之间不断偷情。但终究纸是包不住火的,最后一场爱情与亲情的较量便从此爆发。
荣耀六十年
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
反恐怖行动
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  核破坏即将来临,世界仍处在平静的状态。世界拯救者弗瑞可·马卡罗索领导统治一切,人们体内含有一种癌细胞:“海斯特”。反恐专家特雷德·斯通一直致力与消灭这些阻挡团结的人们。 斯通的妻子与女儿神秘失踪,斯通偶然发现马卡罗索的故事。