搜索"Tiago" ，找到 部影视作品
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Paternity Leave, directed by Matt Riddlehoover, is a romantic comedy slated for release in 2015. Greg (Jacob York) finds out that he's pregnant with his partner Ken's (Charlie David) baby. Dumbstruck by the news, their relationship takes twists and turns through hardship and hilarity, while we're left wondering if they're going to make it through the most unexpected and difficult period of their lives together.
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故事的主人公是一个叫Eric的10岁小男孩，Eric被送去和贫穷的父亲一起生活。他的父亲住在波哥大市区一个又脏又乱的地方，靠做勤杂工谋生。 Maria Isabel是Eric父亲的一个有钱的客户，同时也是一位好心的女族长，对Eric和他的父亲充满了怜悯之心。圣诞假期，Eric和他的父亲面临被驱逐 时，Maria Isabel邀请他们去她豪华的乡村别墅做客。富有的业主和他们的贫穷的客人之间的紧张局势慢慢缓解了…… Eric的扮演者Brayan Santamaria，是导演Lolli的秘密武器，在这样一个社会和经济存在不公平的时代，他把一个天真无邪的纯真灵魂表演的十分真实。他的感情流露自然，没有半点的生硬牵强与虚假，这也让与他合作的儿童演员表演起来更加轻松。
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剧集《比利帮》的灵感来源于真实事件，它讲述了一群出身波哥大的男女在八十年代的成长故事。本剧通过主角大卫与比利帮的老大之一安德莉亚的弟弟——里奥之间不可思议的友谊，将一代人寻找自身身份的故事娓娓道来。
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Maggie and Negan travel into a post-apocalyptic Manhattan long ago cut off from the mainland. The city is filled with the dead and denizens who have made New York City their own world.
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乐观向上的化妆师基卡（Verónica Forqué 饰）和有着偷窥癖的摄影师雷蒙（Àlex Casanovas）隔街而居。基卡并不知道，她早已成为对面邻居偷窥和暗恋的对象。不久，基卡家女佣胡安娜（Rossy de Palma 饰）的弟弟获释出狱，这个变态的男人不仅和姐姐保持着不伦的关系，还将基卡强暴。而这一切，都被雷蒙摄入了镜头之中。另一方面，雷蒙的前女友——电视台主持人安德莉亚（Victoria Abril 饰）为求收视率，竟公然播放基卡被施暴的录像。事情开始变得一团糟…… 本片荣获1994年西班牙佛投格拉玛斯奖最佳女主角奖（Verónica Forqué）、1994年戈雅奖最佳女主角奖（Verónica Forqué）、1994年美国Premios ACE奖最佳女主角奖（Victoria Abril）和最佳女配角奖（Rossy de Palma）、1994年西班牙圣后迪奖观众奖最佳影片。
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Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself. When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.